How to View and Appreciate Great Movies By Eric Williams

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How to View and Appreciate Great Movies By Eric Williams
Unpack the Components that Make Movies “Great” with a Professional Filmmaker.

Lessons of How to View and Appreciate Great Movies By Eric Williams

01: The Art of the Silver Screen – How to View and Appreciate Great Movies
Professor Williams explains his love of film by describing the precise sensation he hopes to portray and what, in his opinion, makes a movie magical. He gives you a quick overview of film history and teases topics he will be going more into in the course, such as music, framing, and the three-act structure. He wraps everything off by introducing you to tension, which he believes to be one of the most crucial aspects of film.

02: We All Need Another Hero: Universal Stories – How to View and Appreciate Great Movies
You are introduced to the tale of a young hero who has a dull existence on a rural farm by Professor Williams. The hero is transported by extraordinary circumstances to new places teeming with odd and colorful characters, where he meets a formidable adversary. In a tidy, joyful conclusion, the hero overcomes numerous obstacles, makes friends, and ultimately vanquishes the villain. Professor Williams’s favorite film is this one. Is it a Star Wars movie? Is it Oz the Wizard? Learn the origins of Joseph Campbell’s “hero’s journey” theory and examine the ways in which various films and genres that appear unconnected use this narrative structure.

03: Movie Genre: It’s Not What You Think – How to View and Appreciate Great Movies
Give a challenge to start this lecture: How many different types of films exist? Rather than using an arbitrary and broad classification, Professor Williams spends this session exposing you to the ultimate list of genres based on what happens in the film and how the movie makes you feel. You may more clearly describe what you enjoy and what you look for by delving into the definitions and examples of different movie genres. What is the precise count of cinema genres that Professor Williams has created? To find out the answer, you’ll have to watch the lecture.

04: Genre Layers and Audience Expectations – How to View and Appreciate Great Movies
Learn about the super genre, macrogenres, and microgenres—the three basic subgenres of film genre. Professor Williams will analyze each in further detail by taking into account three crucial factors: story, character, and atmosphere. He will distinguish between an escape movie and a heist movie, explain how the characters you identify with define the genre you are seeing, and demonstrate how a single film can encompass several macro- and microgenres, with each new classification altering your expectations.

05: Popcorn Can Wait: Story Shape and Tension – How to View and Appreciate Great Movies
The relationship between tale shape and story rhythm is introduced by Professor Williams. You may be startled to learn that he gives real, identifiable shapes in addition to the shapes for different genres, but the important thing to remember is that rhythms are simply patterns, so you begin to understand the rhythm for your story. occasionally filmmakers interrupt the rhythm, and occasionally they display the same pattern out of sequence in an attempt to keep us watching. Plot, dialogue, and characters are all involved. In the end, though, suspense is what keeps us paying attention and coming back.

06: Themes on Screen – How to View and Appreciate Great Movies
Analyze the idea of theme using a variety of perspectives, from conventional filmmakers who see their job as a combination of theologian, philosopher, and educator to non-traditional filmmakers who frequently depict complex and contradictory characters or situations without passing judgment, moralizing, or lecturing. After that, Professor Williams builds on the storytelling technique selected to introduce the movie theme—active, didactic, or a combination of the two—to create a matrix on which he analyzes and plots a number of well-known films to help clarify the theme and predict when and how it will be included.

07: Paradigm Shift: Citizen Kane and Casablanca – How to View and Appreciate Great Movies
Professor Williams examines the historical background, the key components, and the enduring impact that two classic movies that epitomize the best and worst of filmmaking—Casablanca and Citizen Kane—have had on all aspects of the film industry throughout the past 75 years. You’ll gain a deeper understanding of the three elements of Casablanca—the characters, the topic, and the resolution—as Professor Williams dissects the film. These elements made the film an immediate classic that is worth seeing again. He’ll teach you to seven ground-breaking filmmaking techniques in Citizen Kane that will alter the cinema industry forever.

08: The Language of Visual Storytelling – How to View and Appreciate Great Movies
Learn to examine a film the same way you would an artwork. Professor Williams begins by outlining the four fundamental components of visual literacy, which are color, space, line, and forms. He then goes into great detail about the various camera movements and how each pan, zoom, and dolly gives you a unique perspective on what you’re seeing. You will study framing and filming concepts like the “rule of thirds” and point of interest through the use of classically elegantly framed films like Blow Up, American Beauty, Jaws, and others.

09: Building Screen Space: Blocking and Framing – How to View and Appreciate Great Movies
Fundamentally, blocking refers to how characters move across an area. The method by which a camera records the blockage is called framing. It’s hard to believe the subconscious influence that, when done correctly, this seemingly infallible method may have. According to Professor Williams, the components of lines, shape, and scale can be used to analyze both blocking and framing. You will investigate the kinds of signals that effective blocking and framing can convey through a variety of instances, such as The Wizard of Oz, The Manchurian Candidate, Good Will Hunting, and others.

10: The Cutting Room Floor: Powerful Editing – How to View and Appreciate Great Movies
For most people, the workings of an editing booth remain mysterious. Professor Williams sheds light on this intricate and crucial procedure, outlining the three stages of editing and exploring the methods an editor uses to cut, add, and arrange endless hours of video to create a cohesive, visually appealing film that connects with the viewer. Examining films such as Reservoir Dogs, The Godfather II, Slumdog Millionaire, Roshomon, and others, you will study how editing may control our perceptions of reality while establishing the mood, tempo, and overall theme of the work.

11: Sound Design and Acoustic Illusion – How to View and Appreciate Great Movies
The four approaches to film sound are explained by Professor Williams, who also offers some eye-opening (or maybe more accurately, “ear-opening”) insights into the instances in movies like The Godfather, Apocalypse Now, and The Hurt Locker where the sound elevated a scene above mere background noise.

12: Setting the Scene: Masterful Set Design – How to View and Appreciate Great Movies
Explore a variety of films, including Apollo 13, The Shining, Room, Clockwork Orange, and others, to learn how set design and props can establish a setting, introduce characters, and give spoilers before a word is spoken. Professor Williams shows how a character’s mental state can frequently be reflected in the way the set and props change over time.

13: Special Effects in the 20th Century – How to View and Appreciate Great Movies
You’ll discover the background and the science of the magic we see and believe in in the first of two lectures covering the spectrum of special effects, from puppets to artificial intelligence. With a ton of examples, Professor Williams breaks down the two categories of special effects and gives a sneak peek at the two films he thinks rank among the best ever.

14: Special Effects in the 21st Century – How to View and Appreciate Great Movies
Discover what goes on behind the scenes when stars interact with fictional characters and what minutiae, like the proper angle of a nonexistent sun reflection, need to be caught when filming a scene where nothing is genuine. Additionally, Professor Williams shares his two choices for the best special effects film, which we think you’ll be shocked to learn about.

15: Scoring the Story: Music in Film – How to View and Appreciate Great Movies
Music has the power to enrich and prolong the tale you are seeing on screen through auditory cues. Professor Williams shows how music, whether diegetic or not, can take on the role of a motif or a leitmotif, guiding our subconscious attention, transporting us between scenes or countries, offering emotional clues and establishing the mood. He shows how, like with every other aspect of filmmaking, directors may employ a score to conform to—or subvert—your expectations by using clips from Jaws, Rocky, Star Wars, and other movies.

16: Color and Light: Elements of Atmosphere – How to View and Appreciate Great Movies
While color and light can enhance a movie’s aesthetic appeal on the surface, Professor Williams will demonstrate how they can also be employed to convey a deeper, more cerebral and emotional narrative. You will learn about a foundation of 12 hues, six color schemes, four characteristics of light, and three ways to use light by watching a variety of films that creatively use color and light, such as Do The Right Thing, The Life of Pi, The Martian, and Schindler’s List. You will also understand what each hue means and how different combinations can affect how the audience sees the movie (literally and figuratively).

17: Knowing Characters from the Inside Out – How to View and Appreciate Great Movies
Dr. Williams presents the concept of wearing masks in public, private, and intimate settings. He shows how we learn more about characters and develop a stronger bond with them when they succeed in pulling each one off. The ways in which masks are employed to reveal characters—that is, to assist you understand what a character wants and is prepared to do in order to acquire it—are contrasted in One Flew Over the Cuckoo’s Nest and The Imitation Game. The character’s intricacies can become evident once the motivation is established.

18: Knowing Characters from the Outside In – How to View and Appreciate Great Movies
Professor Williams gives you an assignment to read a movie’s screenplay as if you were a detective, deducing as much as you can about the story, the characters, and the relationships just by looking at the word choices. Professor Williams explains to you through a reading of Lean on Me the things you can discover about a character based on both what they say and how they depict themselves—or don’t say.

19: Secondary Characters and Supporting Actors – How to View and Appreciate Great Movies
The backdrop for a thorough analysis of how supporting parts affect our perception of the protagonist is provided by Thelma and Louise, The Godfather, and Barton Fink. Professor Williams delves into the notion that the supporting characters clarify motivation and expose the shortcomings of the major characters by acting, responding, and thinking. They stand in for our key characters’ hearts and souls.

20: Star Power: Lead Actors and Their Roles – How to View and Appreciate Great Movies
Professor Williams concedes that he cannot explain to you how an actor performs, but by breaking down the role of an actor, he helps you understand the subtlety that goes into acting. You learn what actors do (or should do) to prepare for parts and the pressure to show believability while you watch films like Psycho, Get Out, Rounders, and others.

21: Character Relationships and Audience Empathy – How to View and Appreciate Great Movies
In actuality, relationships are complicated enough. Professor Williams demonstrates how relationships are formed, how they function, and how they generate tension in movies using the films Precious and The Piano, along with a few theories from Carl Jung and Joseph Campbell. By analyzing well-known tropes and character types, Professor Williams demonstrates how simple it is to create predictable movies and how objectivity and intention can work against preconceived notions.

22: Pathways to Great Antagonists – How to View and Appreciate Great Movies
Learn the difference between an antagonist and a villain, as well as how a great villain is made. Professor Williams uses films like Rocky, Star Wars, The Silence of the Lambs, The Wizard of Oz, and Rocky to show how all great villains are distorted reflections of the hero. He explains why the adversary is necessary even though they aren’t necessarily evil. You will also study the four thematic routes or groupings and how each employs the protagonist and antagonist.

23: Point of View in Script and on Screen – How to View and Appreciate Great Movies
The point of view a film adopts, serving as the lens through which the audience perceives the story, can genuinely deepen your understanding of the storytelling possibilities of motion pictures. Starting with three central questions, Professor Williams demonstrates the decision trees that accompany the process of building the point of view. You learn how to interpret the point of view and the reasoning behind it by using Annie Hall, The Diving Bell and the Butterfly, Sherlock Holmes, No Country for Old Men, and more. This opens up a whole new way for you to enjoy the story.

24: Filmmaker’s Voice and Audience Choice – How to View and Appreciate Great Movies
Professor Williams first breaks down the voice of the filmmaker into six main components before showing how the audience—more especially, our expectations—can have a significant impact on voice. You’ll realize why it matters what the director decides to express with their voice when you see movies like Anomolisa, The Artist, When Harry Met Sally, and others. Professor Williams also presents three films you’ve probably never heard of but shouldn’t miss, lists five strategies to make an audience uncomfortable, and discusses what a movie can tell you about itself in the first ten minutes.

DETAILS

Overview
Gain a new set of creative and analytical tools to bring with you to the movies, enhancing your enjoyment and viewing experience for any film.

About Instructor of How to View and Appreciate Great Movies
Eric Williams
ALMA MATER
Columbia University
INSTITUTION
Ohio University
“This digital transformation, this entertainment of tomorrow—it’s really just an opportunity for us as human beings to get to know ourselves better.”

At Ohio University, where he teaches new media storytelling and emerging technologies, Eric Williams is in charge of the Game Research and Immersive Design (GRID) Lab’s cinematic virtual reality division. The Writers Guild of America, East awarded him the Best New Screenplay award.

Eric Williams has written for Fox Interactive, Universal Studios, and American Movie Classics. In addition, he is the author of three podcast series and five books about storytelling in new media, television, and movies.

Eric Williams is a prominent expert in new media and entertainment technology, currently teaching at Ohio University.

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